I was inspired recently to look to some Roald Dahl children's books that I didn't read when I was younger, and I picked The Twits to read first. It's an odd tale, concerning a very unpleasant married couple, Mr. Twit and Mrs. Twit, who prank each other when they aren't tormenting monkeys or collecting birds to make up a weekly dish, Bird Pie. The only plot to the book concerns revenge, and how the monkeys and birds work together to end the terror of the Twits. A pleasant read, of its kind, but not one of Dahl's best. It's pretty short too, and many pages have characteristic Quentin Blake illustrations, which add to the charm of the book. I understand that Neflix has announced a new animated movie of The Twits coming out in 2025. It will need more plot to turn this book into a film.
Showing posts with label Roald Dahl. Show all posts
Showing posts with label Roald Dahl. Show all posts
Monday, January 1, 2024
Thursday, October 8, 2015
This Time's Two
The Notorious Abbess
(1997) by Vera Chapman is a collection of twelve short stories masquerading as
a novel. All of the stories concern the
ingenious Abbess of Shaston, a very wealthy nunnery on the hill of Shaftesbury
in Wessex.
The stories are set in the time of the Crusades and are set in both England and
Jersusalem. The Abbess is very
unconventional for her time—a proto-feminist, as well as a worker of magic, her
adventures frequently involve the fantastic, even to the point of having the
Abbess raise up the Devil for conversation.
The stories are light, but have a deftness to them and a good deal of
historical detail. These stories are much less-known than they should be.
Two Fables
(1986) by Roald Dahl is a short book published in honor of Dahl’s seventieth
birthday, comprising two new stories, illustrated by Graham Dean. The illustrations (only the frontispiece is
in color) are modern and completely forgettable. The first story, “The Princess and the
Poacher,” is the longer (and better) of the two. It concerns the young man Hengist, who is
repulsively ugly to every woman but his mother.
His one positive trait is that he is a good poacher, despite the heavy
penalty of being put in the Drowning Tub if he were caught. One day when he is
out poaching, he sees the Princess about to be killed by a boar, and rescues
her, earning the excessive gratitude of the King, which leads to an unexpected
ending. In the second tale, “Princess Mammalia,” we have a kind of counterpoint
story, where a young, plain-looking princess wakes up on the morning of her
seventeenth birthday to find that she has become a dazzling beauty. This
turnabout causes a real change in the Princess, so much that she pours boiling
lead over the walls of the castle onto her admirers, and plots the murder of
her father. This latter leads to an unexpected result. The two fables are not among Dahl’s best
stories, but they are interesting and diverting.
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