Often a Merla tale begins with a vice--pride, cruelty, greed--that is exercised with stubborn willfulness. Next a terrible fate befalls the vicious man or woman, who must then set out in a quest of atonement. After much suffering (and isolation), the voyager is forgiven and learns the error of his or her ways.
Which is true, but White fails to account for the lack of fairy tale magic in the stories. They never engage the reader, and each story merely plods on until it reaches its end. There is no literary style, no wry modern perspective, nothing to make these routine tales stand out. John Gardner was writing such modern fairy tales (I reviewed some collections below) at the same time as Merla, yet Gardner did it much better.
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