N.K. Jemisin won three consecutive Hugo Awards for the three volumes of her Broken Earth trilogy. Not wishing to embark on a trilogy at the present time, I thought I'd try Jemisin's new short story collection, How Long 'till Black Future Month? (2018), as a taster before approaching her novels. It contains twenty-two short stories, plus an interesting introduction by the author. One expects the first story in a collection to be a standout, and in this case, "The Ones Who Stay and Fight" (a kind of oblique response to Ursula K. Le Guin's famous story "The Ones Who Walk Away from Omelas") is a standout for all the wrong reasons. I found it dull and diffuse, and my reaction tempered my interest in reading further. But I persevered, and found some better tales in "The City Born Great" and "Stone Hunger." But the author's style never really won me over. It might be described as stream-of-consciousness surreal. The fantastical elements don't really make a great deal of sense. They are just there as plot-devices or plot impediments. I'm still planning to give the first volume of the Broken Earth series a try, but my interest has diminished. Thursday, April 11, 2019
How Long 'til Black Future Month?
N.K. Jemisin won three consecutive Hugo Awards for the three volumes of her Broken Earth trilogy. Not wishing to embark on a trilogy at the present time, I thought I'd try Jemisin's new short story collection, How Long 'till Black Future Month? (2018), as a taster before approaching her novels. It contains twenty-two short stories, plus an interesting introduction by the author. One expects the first story in a collection to be a standout, and in this case, "The Ones Who Stay and Fight" (a kind of oblique response to Ursula K. Le Guin's famous story "The Ones Who Walk Away from Omelas") is a standout for all the wrong reasons. I found it dull and diffuse, and my reaction tempered my interest in reading further. But I persevered, and found some better tales in "The City Born Great" and "Stone Hunger." But the author's style never really won me over. It might be described as stream-of-consciousness surreal. The fantastical elements don't really make a great deal of sense. They are just there as plot-devices or plot impediments. I'm still planning to give the first volume of the Broken Earth series a try, but my interest has diminished.
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